Please do not copy/upload this site's content to social media or other web sites. Those copies have been a critical problem, seriously harming this site and my photography/storm chasing operation by diverting traffic, viewers, engagement and income. "Credit" and "exposure" does not benefit this site or my operation, rather those actions threaten my ability to cover my operating expenses. Please read my full explanation for this notice here.
Before continuing, check each box to agree to and acknowledge these two statements:
To my regular readers, I offer my apologies for this heavy-handed notice, but unfortunately it has become necessary.
Click this button to finalize this acknowledgement:
In September of 2025, my work is generating the most income it ever has in my career. Yet, I'm being forced to shut down my successul operation, against my will, due to one cause alone: 95% of that revenue is being stolen by piracy and copyright infringement. I've lost more than $1 million to copyright infringement in the last 15 years, and it's finally brought an end to my professional storm chasing operation. Do not be misled by the lies of infringers, anti-copyright activists and organized piracy cartels. This page is a detailed, evidenced account of my battle I had to undertake to just barely stay in business, and eventually could not overcome. It's a problem faced by all of my colleagues and most other creators in the field.
2000 was a watershed year in my storm chasing life. It was the first year that I had a reliable vehicle of my own, allowing me the freedom to travel anywhere I wanted to go. 2000 marked the most significant expansion in my event coverage frequency and distances, and many memorable adventures were had. I made the switch to slide film late in the year, ending an era of 100ASA print film as my primary still image media.